Scott Bury gets to the essence of fantasy world-building: give it some scientific underpinnings.
By Scott Bury
Good fantasy writing has to maintain a strange tension, a balance that makes fantastic elements that are patently impossible believable.
The weekend before last, Chantal Boudreau wrote about basing her fantasy worlds and mythologies on the mythologies of Sami, Thracian, Serbian and Native American people.
I think this is a great idea for any writer of fantasy, because it adds many layers of meaning and symbolism to your writing. And it inspires a lot of ideas, too.
I did the same with my first published novel, The Bones of the Earth. While I made up the cosmology, all the mythology expressed by the characters, and many of the characters themselves, come from the mythologies and religions of ancient eastern European peoples, including the Greeks, Slavs, Germans, Celts and Scythians. Doing this also helped me choose names that didn’t sound like I coughed them out.
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