Not long ago, I wrote a post about some pretty awful fantasy movies, and why we love them in spite of their ultimate cheesiness (or, quite possible, because of it).  In that first post I discussed Beastmaster, Willow and Legend.  Now I have three more movies to get off my chest.

Hawk the Slayer

There’s a good chance you’ve never even heard of this bizarre fantasy flick, but I’m often surprised by how many people have heard of it.  This movie has “the 80s” written all over it, from the flair of the opening credits to the overly synthesized music to the mist-filled cinematography…all that’s missing is Richard Simmons and a soundtrack by Phil Collins, and we’d be all set…

The evil Voltan (Jack Palance, breathing heavily and using his scowl to terrific effect) is the scourge of the land, and when he and his men kidnap the Abbess of a…

A few months ago I wrote about folding backstory into a narrative to give your readers the vital information they need without hitting them over the head with a history lesson. In that post, I quoted this received wisdom:

Don’t use prologues.

That advice comes from agents and traditional publishers who believe, based on the contents of their slushpiles, that “prologue” means “deadly boring waste of my time.”

The actual definition of prologue is a separate introductory section of a literary work. Etymologically, the word comes from the ancient Greek prologos, which described the preamble to a play that established the setting and provided background information to enhance the audience’s understanding and appreciation of the drama. The Greeks may have given the prologue its name, but I’d lay odds they didn’t invent the literary device. Knowing human beings, I imagine we’ve been prefacing our stories since people could speak.